Tactus ≠ Tempo: Some Dissociations Between Attentional Focus, Motor Behavior, and Tempo Judgment

نویسنده

  • JUSTIN LONDON
چکیده

Three experiments explored the relationships between surface rhythmic activity, tactus or beat rate, attentional focus, sensorimotor synchronization (tapping), and tempo perception. All involved a rhythmic standard followed by a comparison; the experimental task was a judgment of “slower, same, or faster.” In Experiment 1 participants simply judged relative speed; they focused on the beat level in Experiment 2, and they tapped along as they made their judgments in Experiment 3. In all three experiments judgments were highly accurate (89-97% correct, relative to beat-level inter-onset interval) when the standard-comparison involved the same pattern/same tempo, and performed similarly for the same pattern at different tempos (80-83% correct). Performance degraded significantly in other contexts, especially for different patterns at the same tempo. A main effect for pattern (two levels: same vs. different) and a pattern x tempo interaction were observed in all three experiments; a main effect for tempo (collapsed to two levels: same vs. different) occurred only in Experiment 1. Analysis of a subset of the experimental conditions indicated that surface activity was of greater salience than the beat level in some contexts. Tapping along (Experiment 3) did not improve overall performance any more than simply focusing on the tactus level (Experiment 2), and a possible biasing effect of tapping rate on tempo judgment was observed. Thus there is an apparent dissociation between tactus rate, attentional focus, tapping behavior and tempo judgment. This suggests that our perception of musical speed or tempo is more than simple apprehension of the tactus rate. Submitted 2010 August 18; accepted 2010 November 23.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Comments on “ Tactus ≠ Tempo : Some Dissociations Between Attentional Focus , Motor Behavior , and Tempo Judgment ” by Justin London

Objective measures of musical tempo are linked to a particular metrical pulse, and this is most likely true for subjective tempo as well. Therefore, tapping along with a rhythm should be predictive of relative tempo judgments. The difficulty of such judgments may lie in the choice of a particular metrical level as the referent. Multiple levels may compete and create ambiguity. Analogies are dra...

متن کامل

Differences in Metrical Structure Confound Tempo Judgments

Musical tempo is usually regarded as simply the rate of the tactus or beat, yet most rhythms involve multiple, concurrent periodicities. Two experiments were conducted to investigate relations between the absolute rate of the tactus versus a more global sense of speed via a tempo discrimination task involving typical rhythmic patterns. Stimulus rhythms in 4/4 meter were presented at two tempos ...

متن کامل

Cyclic tempogram - A mid-level tempo representation for musicsignals

The extraction of local tempo and beat information from audio recordings constitutes a challenging task, particularly for music that reveals significant tempo variations. Furthermore, the existence of various pulse levels such as measure, tactus, and tatum often makes the determination of absolute tempo problematic. In this paper, we present a robust mid-level representation that encodes local ...

متن کامل

Effect of Music Tempo on Attentional Focus and Perceived Exertion during Self-selected Paced Walking

This study investigated the influence of music on the rating of perceived exertion (RPE) and attentional focus during walking at a self-selected pace. Fifteen overweight and obese women volunteered to participate in the study. They underwent four sessions: the first for incremental maximal test and anthropometric measurement followed by three experimental sessions. After the first session, they...

متن کامل

Combination of Audio Tempo Estimation Approaches

This paper describes a tempo estimation algorithm submitted to the MIREX 2011, and is an extension of the work presented in [2]. Using the tempo estimation results from four different approaches (BeatIt, Ellis, Davies and MPEG7-XM), we use a heuristic strategy to obtain the slow and fast tempo from audio music combinig their results, based on the hypothesis that the tatum and tactus tempo hiera...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2011